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### SwanQueen in apocalyptic register (apocalypse without magic) - **The shared-child architectural premise survives.** Henry is the bridge. Their relationship is co-parenting under apocalypse from page one. - **The apocalypse does not make them a couple; it removes the denial.** They already have the meals, arguments
### Steve alone on the streets Steve in apocalyptic isolation is a Lexark-mode character even though he is not in a femslash romance. His arc: - **Body-first survival.** He fights, he eats what he can, he runs. - **The voice that talks to Robin in his head.** He narrates to her, silently, even when he doesn't know if
# PART 5 — REFERENCE TABLES
## VOICE FINGERPRINT TABLE | Character | Their POV sounds like | Their dialogue sounds like | |---|---|---| | **Robin** | Anxious spiral landing last. | Running, self-correcting, one more thing. | | **Nancy** | Compressed. Feelings converted to tasks. | Short, precise, task-first. | | **Steve** | Physical, honest, las
## ANCHOR QUOTE BANK (for calibration — do not reproduce in prose) **Robin:** *"Hey, dingus."* / *"Platonic with a capital P."* / *"It's not only possible, it's inevitable."* **Nancy:** *"Ask forgiveness, not permission."* / *"So does that make us friends?"* / *"It's okay. You got this."* **Steve:** *"Pretty damn good
# PART 6 — QA CHECKLIST Before submitting any chapter in English, run through: 1. **POV discipline.** Can the reader tell who is speaking with the speaker tag removed? If not, the voice has not landed. 2. **Interior alignment.** Does each character's interior monologue read like their canonical voice? If Lexa's inter
# SOURCES [ST Robin] Stranger Things Wiki, Robin Buckley, personality and memorable quotes. [ST Nancy] Stranger Things Wiki, Nancy Wheeler, abilities and memorable quotes. [ST Steve] Stranger Things Wiki, Steve Harrington, memorable quotes; Wikiquote Stranger Things Season 3 for Steve and Robin rhythm. [The100 Clarke]
## Usage note This file is meant to sit alongside the existing research, not replace it. While rewriting to English, first lock canon through the working project files, then use this document to check that the character speaks and behaves like herself, that the couple dynamic lands, that the intimacy carries weight, a
## FILE 19 — Sara Lance (White Canary)
### Quick voice summary Sara is economy in motion. She speaks in short, clean sentences when she's working; she gives very little when she's hurting. She has a dark sense of humor about her own past because it's the only way to carry it. She's protective of everyone around her with an aggression that looks like reckle
### How she behaves inside dialogue - Deflects with humor when the topic is her own pain. Someone asks if she's okay; she makes a joke. - Direct and efficient with everyone else's pain. She doesn't ask how someone feels; she asks what they need. - With Ava: softer in a way that's still specific to her. She doesn't los
### English syntax Short declarative sentences. Occasional dark humor that doesn't quite read as jokes until you hear the register. She rarely uses softening words ("maybe," "perhaps," "I was wondering"). When she says something hard, she says it once and stops. Sample cadence: > "I've died. Twice. The second time wa
### Canonical anchor phrases - "I've been dead. It's not — it changes things." - "I'm the captain." (stated, not argued) - "You're not alone in this." - "I don't need you to understand it." (about her past)
### What she does NOT say - Long explanations of her trauma - Passive voice about her own choices ("I was made to do" — she says "I did") - Anything that asks for pity - Over-emoting in dialogue; the feeling is in the action, not the words
### In Avalance fic **The scars register:** Sara never introduces her scars. She has them; they are visible; she doesn't explain them. If Ava asks, she will answer one question, once. If Ava doesn't ask, she treats it as correct behavior. The fic must convey the weight of what's on her body without Sara narrating it.
### Working sentence *Sara Lance is the person who has died and come back and is still not entirely convinced she deserved to.* ---
## FILE 20 — Ava Sharpe
### Quick voice summary Ava is precision. She speaks in complete sentences, usually with subordinate clauses. She plans, she organizes, she color-codes. Her humor is dry and self-aware; she knows she is "a lot" and she has come to a careful peace with that. Her warmth is not soft — it is thorough. When she loves someo
### How she behaves inside dialogue - Organized and specific. She doesn't say "later" — she says "Thursday, after 1500 hours." - Her anxiety comes out as over-preparation, not panic. She makes lists. She makes contingency lists. - With Sara: a specific accommodation mode where she has learned which rules Sara will bre
### English syntax Longer sentences than Sara. Compound structures. She uses hedging words when she's uncertain ("It would be my assessment that...") and then cuts that habit when she's sure. When she says something personal and true, it often comes out over-prepared, like she practiced it. Sample cadence: > "I have