### Chapter 202, The End-of-the-World Wedding
Planning status: Approved story constraints; proposed chapter placement, not a newly owner-locked slot. Full contract/readiness still required.
Summary: SwanQueen's full public Part 7 wedding, lived on screen with community witness and private emotional stakes. Preserve E
### Chapter 203
Summary: Ensemble, the day after the wedding, who calms down, who breaks, and what changed in the city because one woman dared to say yes to the future.
### Chapter 204, When the River Rises
Planning status: Approved story constraints; proposed chapter placement, not a newly owner-locked slot. Full contract/readiness still required.
Summary: After several days of heavy rain, severe river flooding hits the mature city: low homes, stores, docks, roads, farm ground, dra
### Chapter 205, The People Beyond the Water
Planning status: Approved story constraints; proposed chapter placement, not a newly owner-locked slot. Full contract/readiness still required.
Summary: City response to the flood includes rescues outside while its own people are in distress, with limits and real costs. Ch
### Chapter 207, Who Carries the Next Day
Planning status: Approved story constraints; proposed chapter placement, not a newly owner-locked slot. Full contract/readiness still required.
Summary: Younger people receive age-appropriate responsibility and voice during recovery. Sarah and her three children, Dustin and o
### Chapter 208, Life after the Water
Planning status: Approved story constraints; proposed chapter placement, not a newly owner-locked slot. Full contract/readiness still required.
Summary: Community food, music, relationships and ordinary irritation coexist with lasting flood damage and loss. Celebration offers bre
### Chapter 209
Summary: Another rescue convoy returns after the flood, and Mara, about eleven, sees the city from outside. She receives provisional child care; Clarke and Lexa meet her through patient, distinct actions.
### Chapter 210
Summary: Ensemble, an almost ordinary day, coffee, lessons, repairs, animals, river, and a reminder that the true victory is a routine that no longer looks like a distant dream.
### Chapter 211
Summary: Ensemble, the whole heart of the saga, couples, children, parents, friendships, farm, river, and the city as one body, just before closing. Steve and Zoe are visibly together as a lasting partnership, with a small ordinary shared task rather than an endgame announcement. The working Chapter 211
### Chapter 212
Summary: The city remains alive after the flood: open river, farm, classrooms, households and bounded rescue convoys. Clarke and Lexa's slow care for Mara continues; the main saga closes in the present with room for a separate future epilogue. The old Caskett road summary belongs to their Part3 Chapters
# 07_full_saga_skeleton_bridge
Consolidated active source-truth file for **Apocalypse, Now**.
Original files preserved in this file:
* `general_skeleton_brief_parts_1_7.md`
---
<!-- BEGIN ORIGINAL FILE: general_skeleton_brief_parts_1_7.md -->
# General Skeleton Brief, Parts 1-7
Unified active bridge file for the seven-part skeleton pass. This file replaces the seven separate `partX_general_skeleton_brief` delivery files as the single active cross-part bridge document.
## Global Standalone Entry Arc Rule
Every entrance block should be readable as a smaller fanfic arc if the reader stops at the meeting point with the main group. The main saga can continue afterward, but the entrance block itself needs old-world life, Day Zero, first survival strategy, selected survival texture, relat
## Entry Arc Scale Guide
This guide controls the expected depth of standalone entrance blocks. It does not create a hard maximum word count. It prevents major arrivals from being compressed into summary and prevents smaller arrivals from stealing the structural weight of the core saga.
### Major standalone entry arcs
Major standalone entry arcs may require 10,000 to 15,000 words per chapter when the story weight requires it.
Use this scale for:
* Lexa / Costia / Anya,
* Ronance / Steve,
* Clarke / Raven / Octavia / Steve,
* Vauseman / Theo,
* SwanQueen / Henry,
* Avalance,
* Steve / Anya / Hawkins
### Medium standalone entry arcs
Medium standalone entry arcs may require 7,000 to 12,000 words per chapter when needed.
Use this scale for:
* Finchel,
* Shoni,
* Seth / Summer,
* Maya / Carina, separate Part 5 arrivals with Carina first,
* Runaways,
* Sarah Walker / Chuck,
* Callie / Arizona,
* Cosima / Delphine,
*
### Smaller intake arcs
Smaller intake arcs are still real story, but they are more compressed.
Use this scale for later city arrivals, support families, minor rescue groups, single-purpose civic arrivals, and survivor cells that change the city without carrying a full independent block.
They still need enough old-w
### Scale warning
If an entrance block cannot be read with emotional satisfaction up to the meeting point, it is underbuilt. If a smaller entrance block starts pushing the four core couples or the active part engine off the page, it is overbuilt.
---