### Castle, Henry, and Alexis
* Castle and Henry continue as documenters of the journey.
* In Part 7, documentation becomes civil memory, stories for children, archive, and memorial rituals.
* Alexis holds children and young people.
* Martha and Jim died in the Part 3 Caskett block. They add family, humor, age, and hi
### Legacy of Seth, Summer, Will, Toni, and Shelby
* Seth and Summer died at the opening of Part 6. They do not hold living roles in Part 7.
* The sailing, dock, boat, water, and river-convoy line is now held mainly by Toni, alongside Joey and Pacey, and later more water people.
* The farm and animal line is held thro
## Returning families
* Karen, Holly, Joyce, Lucas's mother, and Dustin's grandmother already returned in Part 6. In Part 7 they affect civil life, family, education, ritual, and the Hawkins household map.
* Mike and Nancy must feel that return as a family reopening.
* Joyce, Lucas's mother, Dustin's grandmother, and
### Root / Shaw
* Practice, risk, dangerous morality, and the ability to shortcut when a civil city tries not to.
* They test the city’s boundaries: is everything efficient also permitted?
### Catra / Adora
* Emotional fire, friction, force, a past of damage, and the question of whether a city can contain people arriving with a history of destruction.
* They should shake the existing structure, not simply become “another strong couple.”
### Veronica / Logan
* Investigation, secrets, gray civil politics.
* They bring a line of truth, lies, who holds information, and what a city hides from itself.
### Matt / Julie
* Softness, young heart, daily life, and a romance that teaches the city not every love has to be written through war.
* They bring a small space of ordinary life into a city that has nearly forgotten what ordinary sounds like.
## Events and payoffs
* The major saga wedding, full and communal, not summarized.
* At least one family return on-screen, with real emotional impact.
* A major payoff to an old object or motif: coffee, candy, signs, radio, book, ring, song, or documentation.
* A meaningful adoption or guardianship line.
* A large val
## Ending rules
* Part 7 must not close everything through summary.
* Do not turn the ending into a list of payoffs without scenes.
* Do not skip the logistics of children, animals, injuries, gates, convoys, and families.
* Do not write the major crisis as another conquest battle.
* Time jumps of 5 to 20 years belong
# Unified extended layer, chapter-by-chapter planning
This section merges the old extended-planning layer into the part file.
There is no active separate `partX_extended_summaries.md` file.
## Extended-layer rules
* This part file does not replace `canon_ledger.md`; it works with it. If there is a contradiction, resolve the canon first.
* Before work on any chapter in this part, read this file and the chapter’s short summary in `chapters_summaries.md`.
* The extended layer holds summary, continuity, inju
## Work status
* Prose status: future planning. No active prose chapters for this part yet.
* Working time range: months 65-83 after Day Zero, a year and a half in which the city already exists and chooses which lives and values to hold.
### Chapter 182
* Prose status: not yet written, or not counted in the active word-count file.
* Continuity summary: Root / Shaw, chapter 1. Ensemble opening in the moment before or at the beginning of the encounter with them, then a return to the beginning of the end from their point of view.
* Locks for later: prese
### Chapter 183
* Prose status: not yet written, or not counted in the active word-count file.
* Continuity summary: Root / Shaw, chapter 2. Their road continues until the encounter with the city.
* Locks for later: preserve time, ages, injuries, children, animals, objects, and knowledge according to `canon_ledger.md`
### Chapter 184
* Prose status: not yet written, or not counted in the active word-count file.
* Continuity summary: Long ensemble chapter. The actual encounter with Root / Shaw, their joining, and the way they bring a completely different mind into the city: practical, dangerous, and far too tempting.
* Locks for lat
### Chapter 185
* Prose status: not yet written, or not counted in the active word-count file.
* Continuity summary: Long ensemble chapter. The city absorbs Root / Shaw, and the tension between practicality, morality, and shortcuts becomes a full plot line.
* Locks for later: preserve time, ages, injuries, children, a
### Chapter 186
* Prose status: not yet written, or not counted in the active word-count file.
* Continuity summary: Catra / Adora, chapter 1. Ensemble opening in the moment before or at the beginning of the encounter with them, then a return to the beginning of the end from their point of view.
* Locks for later: pre