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## What must not happen * Do not turn the camp into a city too early. * Do not open a formal council before the story earns it. * Do not let leadership sound like a role table. * Do not write Regina only as Henry's mother or only as an old mayor. * Do not let Steve become merely a nice man helping in the background. *
## Unified extended layer This section replaces the old separate extended-summary layer. There is no separate `partX_extended_summaries.md` as an active working source. Working rules: * This part file does not replace `canon_ledger.md`; it works with it. If there is a contradiction, canon is resolved first. * Any wo
## Chapter-by-chapter extended summaries
### Chapter 093 * Prose status: not written. * Sequence summary: Ensemble opening for Part 4. The convoy arrives at the first lake compound, not as a home but as a forced breath. They begin building a perimeter, gate, first room distribution, children's area, animal area, medical zone and kitchen. Rachel enters this p
### Chapter 094 * Prose status: not written. * Sequence summary: Long ensemble chapter. Henry's twelfth birthday and the first night in the compound. New pressure, new families, too many children, too much noise, and the realization that walls do not solve chaos, they only give it echo. Rachel almost slips between mor
### Chapter 095 * Prose status: not written. * Sequence summary: Long ensemble chapter. The morning after. First real roles: who holds what, who sleeps where, where vehicles and animals stand, and how the temporary camp already sounds like the beginning of a settlement without being a home. Clarke already suspects Rac
### Chapter 096 * Prose status: not written. * Sequence summary: Ensemble chapter. In the first days after settling by the lake, a supply run successfully brings back wine, whiskey and cognac. The camp holds its first campfire night by the lake. The children are already asleep or watched, guards are active, Rachel is
### Chapter 097 * Prose status: not written. * Sequence summary: Steve return, chapter 1, longer than usual, target about 15K words. The chapter opens with the lake camp breathing after a few days, then moves to Steve, Anya and the Hawkins group physically near the convoy route after the near-miss built at the end of
### Chapter 098 * Prose status: not written. * Sequence summary: Steve return, chapter 2, longer than usual, target about 15K words. The actual encounter with the camp begins through perimeter, lowered weapons and physically placed children, then real recognition. Robin and Steve, Nancy and Steve, Nancy and Mike, Dust
### Chapter 099 * Prose status: not written. * Sequence summary: Steve return, chapter 3, longer than usual, target about 15K words. The first night after the return: rooms, blankets, water, bite checks, injuries, children, animals, and people who cannot sleep. Ronance hold the return without erasing their relationshi
### Chapter 100 * Prose status: not written. * Sequence summary: Steve return, chapter 4, longer than usual, target about 15K words. The morning after. Absorption through scenes, not summary: Dustin with Raven without becoming her apprentice instantly, Max with Vauseman without sweet pity, Eleven with Regina and Lexa
### Chapter 101 * Prose status: not written. * Sequence summary: Steve return, chapter 5, longer than usual, target about 15K words. Ensemble closure for the return block. The camp learns to live with Steve, Anya and Hawkins, not only receive them. By the end, the camp has changed, and a one-month time jump before May
### Chapter 102 * Prose status: not written. * Sequence summary: Ensemble chapter with the locked one-month time jump after the Steve/Hawkins return block. The camp now lives with Hawkins. Rachel's pregnancy is known to the close circle and changes the order without imprisoning her. Steve and Finn have started holding
### Chapter 103 * Prose status: not written. * Sequence summary: Maya and Carina, chapter 1. Open with ensemble just before or during the encounter, then return to the beginning of the end of the world from their perspective. Their arrival comes a month after Steve's return so his wave is not swallowed and the camp al
### Chapter 104 * Prose status: not written. * Sequence summary: Maya and Carina, chapter 2. Their road continues toward the lake camp, emphasizing medicine, fire, rescue, relationship, fear and the way both remain themselves even as the world forces them to be too functional. * Forward locks: keep romance and compete
### Chapter 105 * Prose status: not written. * Sequence summary: Long ensemble chapter. The actual encounter with Maya and Carina, their joining, and the way they enter medicine, rescue, fire and home without stealing Clarke's place or instantly becoming an institution. The camp is already a month past Steve and the c
### Chapter 106 * Prose status: not written. * Sequence summary: Long ensemble chapter. The first days with Maya and Carina in camp, how they change Clarke, Emma, Piper, Sara, Ava and the routines of medicine and rescue. The end locks the next time jump, almost a month and a half before Nico, Karolina and the Runaways
### Chapter 107 * Prose status: not written. * Sequence summary: Ensemble chapter after the almost-month-and-a-half jump from Maya/Carina. The camp is more alive, more crowded and more dangerous. A supply convoy goes looking for food, and Robin spots a broken video store and insists on entering. Lexa and Sara resist b
### Chapter 108 * Prose status: not written. * Sequence summary: Nico and Karolina / Deanoru and the Runaways, chapter 1. Open with ensemble just before or during the encounter, then return to the beginning of the end of the world from their perspective, with the rest of the Runaways as a living background. * Forward
### Chapter 109 * Prose status: not written. * Sequence summary: Nico and Karolina / Deanoru and the Runaways, chapter 2. Their road continues toward the lake camp with Gert, Chase and Molly as a living young line, and Alex Wilder as a line that does not reach the camp. * Forward locks: Alex Wilder's endpoint must not